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Publishing changed dramatically in 2020, but “books are resilient” industry Book publishing Publishing Publishing industry

The publication of the book in 2020 was a story of how much the industry could change, how much it could change, or how much we wanted to stay the same.

“Much of what happened this year-if it was a novel, I think it’s a little too much,” said Simon & Schuster CEO Jonathan Carp.

Three stories ran through the world of books for most of the year. An industry that has been forced to admit that the status quo is unacceptable, an industry that provides comfort and enlightenment in times of trauma, and an industry that is more integrated than ever with the power of Penguin Random House and Amazon.

Because of its benefits and its disappointments, publishing was drawn into the events of the moment. The pandemic stopped, threatening to wipe out the decade-long growth of independent bookstores, forcing countless new releases to be postponed, and countless other bookstores forgotten. Book Expo, the annual national convention, has been canceled and may be permanently abolished after the show’s organizer, Reed Exhibitions Japan, has announced that it will “retire.”

The industry has long been regarded as a promoter of open expression and high ideals, but in 2020 there was a debate about diversity, and #MeToo highlighted racial and gender blindness and published poetry. From the company to Oprah Winfrey, from book critics to the late editor of Ernest Hemmingway. I helped the employees themselves take the initiative. After the publisher announced that they had obtained Woody Allen’s memoirs, they protested in support of Black Lives Matter and quit their job at the Hachette Book Group. (Skyhorse Publishing finally released it.)

Throughout all that, the book managed to sell and maintain a stable pace when industries such as film and theater faced dire questions about their future.

“My main point from 2020 is that books are resilient, the industry is changing (in terms of diversity), and the industry as a whole is motivated to make opening gestures for sufficient change. “Sales Lucas, executive director of the National Book Foundation, said. Next year, we will take over two well-known Penguin Random House publishers, Pantheon and Shocken Books.

The alarm bell rang at the beginning of the new year. Janine Camin’s novel “American Dirt” on Mexican immigrants is a top-selling and very popular cartel in 2020, from “Cartel” writer Don Windslow to John Steinbeck’s Great Depression masterpiece “The Grapes of Wrath.” It was likened. In January, Oprah Winfrey announced that he had chosen to be a reading club, and Cummins began a national tour.

But to the surprise of publishers Macmillan and Winfrey, Latin writers and critics argued that Cummins strengthened stereotypes about Mexico and Mexican immigrants. Along with Cummins, Winfrey invites a panel of critics who blame the industry, which is estimated to be 75% white, and the talk show hosts himself by choosing several works by Latin writers.

The following month, leaders of the National Critics Circle, Poetry Foundation, and the International Thriller Writers Association resigned or were deported on allegations of failing to address the issues of diversity and racial justice. Center Forfiction points out that in addition to the collaboration between Hemingway and F. Scott Fitzgerald, he published a book by eugenics scholars who support white supremacism, and named the late Maxwell Perkins from the award for editorial excellence. Has been deleted.

Lucas and others wondered if the underlying structure of publishing would change. Salacia J. Fennell, who heads the advocacy group for publisher book expert Latinx, worried that the wave of new hires and publishers was simply cyclical, and asked: Will this all happen in 10 to 15 years? ”

“I understand skepticism,” said Don Weisberg, CEO of McMillan, who quoted a wide range of publisher diversity programs that began before “American Dirt.”

“It won’t happen overnight,” Weisberg said. “We need to build the entire infrastructure that makes it part of the standard.”

At Penguin Random House US CEO Madeline McIntosh, at the 2020 pandemic and other events, he pointed out how well book publishing can meet the needs of the general public. At the beginning of March, the school was closed and parents sought a way for their children to fill their time and continue learning. Summer’s best-selling list is because many responded to George Floyd’s murder and Black Lives Matter’s protests, from “how to become an anti-racist” to Robin Diangelo’s “white vulnerability.” It was full of books about race.

But the bailout for profits was carried out in parallel with concerns about who benefited most. Some of the country’s leading independent stores, such as City Lights Booksellers in San Francisco and Andersons on the outskirts of Illinois, relied on customer support to keep their business going. Len Vlahos, co-owner of Tattered Cover in Denver, called the pandemic’s economic impact “catastrophic” and sold the store to a local investor group in December. Vlahos, who remains informal until June, added that the holiday sale is likely to be a “pale shadow” of the previous year, even with a lift from Barack Obama’s “Promised Land.”

“We have strong hopes for vaccines in the first quarter of 2021 and will allow life to return to normal again,” he said.

Publishing changed dramatically in 2020, but “books are resilient” industry Book publishing Publishing Publishing industry

Source link Publishing changed dramatically in 2020, but “books are resilient” industry Book publishing Publishing Publishing industry

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